I have tried everything. Every option of four cable methods, routing in reverse, etc.
My favorite is setting my tube amp up with a good clean sound where the tubes are starting to shape and warm up the sound. Then plug the 11R right into the input jack. The guitar speakers make the thing sound more like a real amp and the real tubes give shape that a solid state deal just can't match.
As for inside the 11R, everyone says to get rid of the cab simulation, but I don't. I turn the breakup down but shape the sounds with the cam sims.
I run things pretty simple in the 11R line-up. A tube screamer or drive pedal with very little hair, whatever other effects, then into a head (prefer jcm800ish sounds). I run the gain of the head as my main distortion. Other than that, I keep it pretty dry. Then some solos I will run an echo or chorus after the head in the chain, but usually before. Very K.I.S.S. But when I go out to play, I get sound guys quite often that come up to me and tell me that my sound was great to manage, penetrated the mix with reasonable volume and wanted to know what it was and how I ran it.
Before I go too far, I really hate the stupid low frequencies that the new effects processors produce. (11R as well) Almost unnatural for a guitar. These subsonic lows. It ruins the band mix. Always fighting with the bass and kick drum space. (but sounds great playing alone.) I tried to chase them out of the 11R with the EQ, but had better results sending it out of the 11r and into a stereo EQ. I run the bottom two frequencies as low as they will go. The rest real close to middle. I also kill the top two. Then go from there into the amp input. Turn it off for practicing alone, then on for the band, flick it on and have high and low cut. I know lots of guys that want the gain from the actual guitar amp. I chased my tail over that with all sorts of 4 and 6 cable options. Just didn't pan out. I simplified and haven't looked back.
Edited by Wannabe (10/02/17 08:50 PM)
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